514. THOMAS RAUCH (1704-AFTER 1750). VIOLIN. CIRCA 1780
Finalized
Start price 500€
SOLD
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Purchase conditions for this lot
This is a charity auction in support of those affected by the DANA in Valencia. As part of our commitment to the cause, no brokerage fees will be applied.
The payment must be made directly to Famosa within a maximum period of 5 days after the lot is awarded, via BANK TRANSFER. Once the bidding has ended, if you are the winner, you will receive a notification with the attached invoice and instructions for making the payment.
All funds raised will be entirely donated to the foundation.
The buyer is responsible for coordinating the collection or shipment of the lot within 10 days, covering the corresponding costs unless otherwise specified.
The lot is sold as-is, with no warranty or possibility of return. The organization is not responsible for damages, losses, or issues arising from the use of the lot after delivery.
If the buyer fails to make the payment within the stipulated time, the lot may be reassigned to the next highest bidder. The organization reserves the right to modify these terms if necessary.
Once the tender is over, you will receive a notification indicating whether you are the winner, with an invoice attached. Payment must be made within 15 calendar days, otherwise the lot will be rescinded.
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Lot description
Varnished fir wood.
Dents and scratches due to use and antiquity.
The tailpiece and the chin rest are from a later date, probably from the 20th century.
Label inside indicating the luthier and city of the workshop (Breslau) and a partially illegible date, 178(?).
Period bow with bone and mother-of-pearl applications.
With case, probably from the late 19th century.
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Cataloguing note:
Thomas Rauch comes from an important saga of luthiers specialised mainly in violins, violas and violas d'amore. His teachers were his father Sebastian Rauch, and Thomas Edlinger. There is not much information about his life, but it is known that during the mid 18th century he was active in Prague, and later moved to Prussian Silesia (present-day Poland), in the city of Breslau. His instruments are characterised by a very deep timbre, well-treated wood, and genuinely high bows.
Pieces by this craftsman can be found in public collections, one of them a viola d'amore in the Wit Museum in Leipzig.
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