Live auction - July 9th

643. STUDIO OF JOOS VAN CLEVE (c.1485-c.1540). "NURSING MADONNA". (Virgo Lactans), CIRCA 1510-1530.

Finalized

Start price 9.500€

SOLD

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Purchase conditions for this lot

This is a charity auction in support of those affected by the DANA in Valencia. As part of our commitment to the cause, no brokerage fees will be applied.
The payment must be made directly to Famosa within a maximum period of 5 days after the lot is awarded, via BANK TRANSFER. Once the bidding has ended, if you are the winner, you will receive a notification with the attached invoice and instructions for making the payment.
All funds raised will be entirely donated to the foundation.
The buyer is responsible for coordinating the collection or shipment of the lot within 10 days, covering the corresponding costs unless otherwise specified.
The lot is sold as-is, with no warranty or possibility of return. The organization is not responsible for damages, losses, or issues arising from the use of the lot after delivery.
If the buyer fails to make the payment within the stipulated time, the lot may be reassigned to the next highest bidder. The organization reserves the right to modify these terms if necessary.

Once the tender is over, you will receive a notification indicating whether you are the winner, with an invoice attached. Payment must be made within 15 calendar days, otherwise the lot will be rescinded.

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Lot description

Oil on wood.
Attached study by CAEM. 23.6 x 19 cm. Thanks to the extensive study by CAEM (Centre for Modern Art) the work which we have the pleasure of presenting has been dated to 1510 -1520 and definitively attributed to the studio of Joos Van Cleve. It is a copy of one of his works “The Nursing Madonna”, a frequently represented image due to the popular demand for this subject. After technical analysis and restoration, CAEM has discovered certain elements which even further attest to the authorship of Joos Van Cleve, such as the virgin’s fur sleeve, or the original sketch on underlying layers. A Flemish painter from a famous artist family, JOOS VAN CLEVE, rose to considerable fame amongst the Antwerp painters of the early C16th, becoming popular for his magnificent portraits and religious themed work, characterised by its fluid technic and imposing colour. In 1511 he established himself in Antwerp, probably having previously spent several years in Bruges. During that time he collaborated on more than one occasion with the landscape artist Joachim Patinir, which was significant in his integration into the circle of Antwerp painters, where he came to occupy important positions. Before being recognised by his own real name, he was known as The Master of the Death of The Virgin, for two such works attributed to him. (Munich and Cologne). In around 1516 he established his own studio where many artists, such as close family members including his two sons, Jozijne y Cornelis van Cleve worked, and even artist friends like Claas van Brugge who had just established their own studios. Shortly after 1530, he worked for the French Court, where he made portraits of Francis I and his wife Leonor of Portugal. Around 1536, he painted the King of England, Henry VIII. The Thyssen-Bornemisza Museum in Madrid, Spain has two of his works: a self portrait painted in around 1519 and a “Child of the Passion” on a globe of the world, around 1530.

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